Chwith i’r dde / L-R
Ymwelydd anhysbus/ Unidentified visitor
Simon Proffitt
Fiona Owen
Mae gen i osodiad yn Safle Celf, Galeri Caernarfon tan Mai 3ydd – Triawd I (ar gyfer ymwelwyr). Diolch i bawb a ddaeth i’r agoriad, i’r Galeri am adael i mi weithio yn y gofod, i Pwyll ap Siôn am agor, Charlie Kay, Jim Knight a Mei am berfformio ar y noson, ac i Gwion Llwyd (Cymdeithas y Rhyfeddod) am gymorth technegol.
I’ve just installed a piece – Trio I (for visitors) – at Art Space, Galeri Caernarfon, which will be active until May 3rd. Thanks to everyone who supported the opening, to the Galeri for letting me have the space, Pwyll ap Siôn for opening, Charlie Kay, Jim Knight and Mei forperforming on Friday evening, and to Gwion Llwyd (Cymdeithas y Rhyfeddod) for technical assistance.
‘Datganiad Artist’ ar gyfer Safle Celf Trwy fy ngwaith rwy’n trio codi cwestiynau ynglŷn â ffiniau rhwng celfyddyd gain a cherddoriaeth, y berthynas rhwng cyfansoddwr, perfformiwr a gwrandäwr, a rhwng ffurf gwaith a’r person sy’n ei brofi. Mae’r gwaith yma yn ymdrin â dwy brif berthynas. Yn gyntaf, fy mherthynas i ag offeryn cerddorol, sef banjo 5-tant. Prynais yr offeryn nifer o flynyddoedd yn ôl, hefo llyfr am sut i chwarae ‘bluegrass’ – es i ddim yn bell. Methais ddod i adnabod yr offeryn yn iawn nes i mi benderfynu ei osod ar ben bwrdd, a meddwl amdano fel ffynhonnell gynhyrchu sain. Yn lle efelychu perthynas rhywun arall, roedd rhaid i mi ddarganfod perthynas fy hun â’r offeryn, drwy broses o fyrfyfyrio (1). Mae deunydd crai’r darn yn deillio o’r broses yma.Yr ail berthynas yw’r un sy’n bodoli rhwng ymwelwyr i’r gofod a’r deunydd crai. Mae symudiadau ymwelwyr yn cael eu tracio drwy’r gofod perfformio/gwrando, a thrwy broses rhyngweithiol, yn rheoli’r deunydd crai mewn ffyrdd amrywiol. Rwy’n gobeithio bod y gwaith yn tynnu sylw at y weithred o wrando, drwy wahodd ymwelwyr i archwilio’r berthynas rhwng eu symudiadau yn y gofod ac elfennau sonig y darn. (1) Yn ddiweddar, clywais y cerddor Keith Rowe yn trafod ei berthynas â gitâr mewn ffordd debyg, a chefais fy sbarduno gan hyn.
‘Artist Statement’ for Art Space Through my work I try to raise questions about boundaries bewteen fine art and music, about the relationships between composer, performer and listener, and between the form of a work and its beholder. There are two main relationships explored through this piece. Firstly, my own relationship with a particular musical instrument, the 5-string banjo. I bought this instrument a few years ago along with a book on bluegrass playing – I didn’t very far. The instrument only began to make sense to me when I laid it flat on the table, and thought of it purely as a source of sound-production. Rather than trying to emulate someone else’s relationship, I needed to find my own through a process of improvisation (2). Recordings of such improvisations provide the raw material for this piece. The second relationship is the one that exists between visitors to this space and the raw materials. Within the curved performance/listening space, movement is tracked, leading to manipulation of the material in various ways. I hope that this work draws attention to the act of listening, by inviting visitors to consider the relationship between their movement within the space and sonic elements of the piece. (2) I recently heard Keith Rowe similarly describe his relationship with the guitar, and was encouraged by this.